Diabolique’s focus on the family unit in horror film brings us to another filmic subspecies, one in which families neither cause nor defeat terror, but often succumb to it.
Regardless of when and where it originated, the home invasion subgenre has become a crucial staple of contemporary genre cinema. We delve into important current and vintage titles of home invasion horror, including Michael Haneke’s Funny Games, Alexandre Bustillo and Julien Maury’s Inside, and many more.
Lock your windows, close your doors!
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- Comics Wednesday
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